Raylene
She’s shot more than two hundred scenes, and her face and body have smiled from the covers of Taboo, High Society, Cheri, Hustler, Penthouse, Club, and the rest. Television caught up with her too: VH1, MTV, The Man Show, CNN, the Grammys in 2000, and that quick flash in American Pie 2. At home the same woman who once arched for the camera now cooks for four dogs, kicks her heels up, and sometimes slips out for a late-night mischief. Versatility like that is hard to fake.
Raylene
She’s shot more than two hundred scenes, and her face and body have smiled from the covers of Taboo, High Society, Cheri, Hustler, Penthouse, Club, and the rest. Television caught up with her too: VH1, MTV, The Man Show, CNN, the Grammys in 2000, and that quick flash in American Pie 2. At home the same woman who once arched for the camera now cooks for four dogs, kicks her heels up, and sometimes slips out for a late-night mischief. Versatility like that is hard to fake.